Archive for December 2010
What Makes The Best Photograph Or Image?
I am sure this article will be controversial. I mean, after all? How can you objectively characterize what makes a good photograph is not like choosing a paper in mathematics, where there is always a right or wrong answer? Photography, like any other art form, is very subjective. That said, I think there is some elements shared by all the great photographs together. Here is my (subjective) attempt to define them:
Great use of Light- I put this in a position, because photography is essentially all about light. As has been said many times, photography literally means painting with light and become a true master of this discipline requires that you read and understand the light in the same way that you read and understand metaphorical language is one of the blocks of the language of photography. When you take a picture, great photographers examine the direction and quality of light. Is this the next subject is lit or lit? Is the source of soft or hard? Will I set the picture so that is the key to high or low? According to the answers to these questions, the emotional and aesthetic environment of the picture will change dramatically, thus changing their meaning. To give an example, see pictures of classic jazz clubs in low light.
Great Composition- Like great art, photographs generally have a great sense of how the composition and balance that is pleasing to the eye. As a point of departure is a great idea to understand the basic rules of composition, the use of the rules of others. Once you have learned, but do not be afraid to play with them and break the rules. It is a way to establish your own style, and want to be bound by the rules anyway?
A Sense of Timing- Discover the work of Henri Cartier-Bresson, the undisputed master of street photography, and you will notice that, as well as to take full control of the composition, was also a master of timing. He knew how and when to anticipate what he calls the decisive moment when all the elements fall into place when the emotional image and pitch the story is at its peak. Timing is important in photography. Patience, practice and remember to try to predict the best time, which leads the shutter button.
Clear Subject- large photographs generally have a very clear idea of ??what the central issue of photograph. If you find that when you frame an image pattern is not clear, try to take all the unnecessary elements. Sometimes, to simplify the picture is the best way to improve it. Try experimenting with these different elements to see what works for you. Do you forget that improve with much practice. Good luck!
How to Become a Professional Photographer
It is unlikely to make a sustainable living from photography, unless you tackle the business side of it – and this does not mean just to get an accountant and keep the receipt, but on their own marketing, networking, setting yourself goals and is not afraid to set prices and stick to them. Since both the businessman and an artist is a challenge. Be prepared. That during the economic recession, or even more, diversifies your business and put too many eggs in one basket. Think of the attention on two or three areas, such as portraits, weddings, and landscapes, or commercial, sports and nature photography. Even better if one of those two or three will give you a good revenue stream, which allows you to enjoy the projects to hone your skills in areas in which you want to grow your business. Remember that you must look good. It can take up to a small, old reliable camera that takes pictures of your abilities and allows plenty of flexibility, but those who expect to see some spectacular showmanship and equipment as evidence of their power of attorney can be a client, that is lost. You might think it’s just images, to calculate, but unfortunately this is not always the case.
Think twice before you select the D-SLR photography and accessories. Charging more than you should. There will always be people who are cheaper than you and you may lose some business. However, if your time at the beginning of this does not bode well for further down the line. You should have two prices, the full price, and free. Do not involve yourself in anything in between. Not all customers are worth it. Small customers can be a pain, so it is not worth it. If you delivery of quality products at prices you can afford to turn away customers who are smaller in constant negotiation and possibly pay later. When it comes to copyright, be sure to always read the fine print and be aware of the rights that you may be signing a. Fans, happy to see their pictures are published, the mind can not, however, if you call a professional, do not want to see this image anywhere you do not get paid for it. Many professional photographers do not give customers the copyright of your images. Is licensed, sometimes exclusively, for a period of time, but not copyright. Get a set of terms and conditions to be clarity between you and your client.